"One summer's day, Freya's husband and son vanish at sea.
A year on, and struggling to cope, Freya returns to the lighthouse-keeper's cottage on a remote Hebridean island, where she and her family spent so many happy times.
Haunted by visions of her old life, Freya's dreams are dark and disturbed. And when a stranger, Daniel, is washed ashore during a storm, they turn even more menacing.
As dream and reality start to merge, Daniel seems to be following Freya's every move. What does he want from her and is he everything he seems to be?
Is her mind playing tricks? Or is the danger that she senses very real?"
This was a really good read, although a little slow to start. It's an emotional story, the story of Freya and the loss of her husband and son at sea - we join Freya after she has suffered her loss and see how she is coming to terms with it. The story is really very emotional but handled week - there were tears, especially when Freya comes across items from her son that she wasn't expecting.
I found the story that runs parallel to Freya's story very intriguing - the tales of mermaids, sailors and the lighthouse were fascinating and I loved the idea of old letters washing up to be read four hundred years later. Torin was a particularly fascinating character, and I would have been happy to see more of him in the novel - I wasn't keen on Daniel, however. I didn't find him very intimidating and I think he could have been a slighter darker character.
A good read, with a fascinating undercurrent of mermaids and magic.
Beyond The Sea is out on 16th July and you can get it here:
And a lovely special treat! Melissa Bailey has very kindly written a piece for my blog on getting published:
Being Published: The Reality
It’s become clear to me over the
years that a lot of people (or most of my family at least!) have little idea
what being a published author actually means. When I got my book deal from
Arrow back in 2012, my family were divided between those who assumed that I
would now be dashing out bestsellers every few weeks and comfortably making
millions (Auntie Thora) and others who assumed I’d make less than no money and
that it’d take forever (Uncle Frank).
I hated to disillusion them - well,
Auntie Thora anyway, who I was secretly hoping might be right. But the truth,
as ever, lay somewhere in between. So, much as I love myths, I thought I’d
dispel a few of the favourites.
It generally takes more than a
handful of days to write a novel.
I know, shocker, right. Sorry Auntie
Thora.
A lot of fiction writers need at
least a year to produce a book and it takes me a little longer. Now, of course,
there are exceptions to this. Kazuo Ishiguro famously dashed off The Remains of the Day during a four
week “crash”. Oh yeah, and probably made millions from it. But that’s far from
the norm. A handful of writers do extremely well (I’m thinking JK Rowling, EL
James, John Grisham, James Patterson). A good number do well enough to write
full time. But the largest proportion struggle to make a living from their
books.
However, I don’t think it’s ever
quite as bad as Uncle Frank had imagined. I remember him asking me when he came
to visit once if we’d had to re-mortgage the house to give money to the
publishers (about £50,000 he seemed to think). Slightly taken aback, I explained
that that wasn’t quite how it worked - that the publishers in fact paid me an
advance so that I could spend time writing. They then recovered that from the
profits of the book, and were entitled to far greater profits than me because
they were the ones taking the risk. Uncle Frank looked genuinely shocked. I’d
obviously dislodged some long held view of the way things worked.
When I showed him the study where I
write, he went on to voice what I think is a more commonly held view. ‘Ah, so
this is where you sit and wait for inspiration!’ I nodded and laughed, not wanting
to disabuse him again. But it doesn’t really work like that either. Contrary to
what most of my family think, I am not generally found wandering around my
house in a kaftan, sipping on mint juleps and waiting for the muse to strike.
More’s the pity. I’d love to be doing that on a daily basis. But instead, I am
found in that same study, tapping away, trying hard to improve my writing.
In short, being a writer is much like
any other career. The longer you do it, the better you become at it. You have to slog away – the breakthroughs come because
you’re working hard, not because you’re waiting for moments of genius to descend.
There are deadlines and pressures – just like any other job. It’s a tough and
uncertain career. Time is spent agonising over whether people will like your
book or whether in fact anyone will buy it at all! And it can be lonely, stuck
in your own head for so much of the time. But that’s where the joys of social
media come in. Through it I’ve met so many lovely authors and fabulous book
bloggers who provide a huge amount of positivity and support.
All things considered, the good, the
bad and the ugly, I love being a writer. And I wouldn’t change it for the
world.
**Thank you to the author and the publisher for my ARC**
Me neither! x
ReplyDeleteI agree with Melissa (and Carol.) If it feels right - do it!
ReplyDeletethat was really cool - people around us usually have no idea what we are doing, and have their opinion - what drives me most mad though are not those voicing their thoughts - that is the beginning of a conversation - but those who harbor misunderstandings about our profession and have it fester within them.
ReplyDelete